Jar Form
Artist Statement
My current work seeks to perfect the very essence of making ceramics by focusing on just clay, water, and fire. The saggar firing process relies on the skill and experience I have developed over forty years to create an environment of combustible materials that will use the fire as a painter uses a brush. Unlike raku firing or glazing, the coloring of a saggar-fired pot occurs from the moment the kiln is lit until the pot has completely cooled.
To accentuate this unique coloring, I use a vocabulary of forms built with a foundation from the traditions of ancient ceramics cultures and then honed with my intuitive understanding of form.
I believe that saggar firing approaches the very heart of ceramics as a medium—the fusion of clay, water, and fire. By eliminating everything that is not these three components, my work unites surface and form.