(Left)
Carol Eckert
Staff of the Fire Shaman, 2000
Dyed cotton, wire, painted wood, metal, and glass seed beads
70 1/2 x 6 3/4 inches diameter
Racine Art Museum, Gift of the Artist
(Right)
Carol Eckert
Staff of the Prophets, 2000
Dyed cotton, wire, painted wood, metal, and glass seed beads
73 x 10 1/2 x 4 inches
Racine Art Museum, Gift of Karen Johnson Boyd
Photography: Jon Bolton
All Tied Up: Knitted and Knotted Works in RAM’s Collection
December 21, 2008 – March 8, 2009
Knotting is one of the oldest techniques used to join fibers. Cultures throughout human history have employed this method for the creation of functional fiber works. In the 20th century, contemporary fiber artists investigated a host of traditional knotting practices as a means to explore the past of their chosen medium. These artists broke new aesthetic ground by adapting techniques to construct modern sculptural works with ancient materials.
Coinciding with Arline Fisch’s current exhibitions and the celebrated arrival of Lloyd Coten’s Contemporary American Basket Collection, this exhibition features works from RAM’s permanent collection that demonstrate diverse knotting techniques, used on a variety of materials.
More About the Exhibition
All Tied Up: Knitted and Knotted Works in RAM’s Collection
December 21, 2008 – March 8, 2009
(Left)
Carol Eckert
Staff of the Fire Shaman, 2000
Dyed cotton, wire, painted wood, metal, and glass seed beads
70 1/2 x 6 3/4 inches diameter
Racine Art Museum, Gift of the Artist
(Right)
Carol Eckert
Staff of the Prophets, 2000
Dyed cotton, wire, painted wood, metal, and glass seed beads
73 x 10 1/2 x 4 inches
Racine Art Museum, Gift of Karen Johnson Boyd
Photography: Jon Bolton
Knotting is one of the oldest techniques used to join fibers. Cultures throughout human history have employed this method for the creation of functional fiber works. In the 20th century, contemporary fiber artists investigated a host of traditional knotting practices as a means to explore the past of their chosen medium. These artists broke new aesthetic ground by adapting techniques to construct modern sculptural works with ancient materials.
Coinciding with Arline Fisch’s current exhibitions and the celebrated arrival of Lloyd Coten’s Contemporary American Basket Collection, this exhibition features works from RAM’s permanent collection that demonstrate diverse knotting techniques, used on a variety of materials.
More About the Exhibition
Exhibitions at RAM are made possible by:
Platinum Sponsors
The Estate of Karen Johnson Boyd
David Charak
Judith and David Flegel Fund
Ron and Judith Isaacs
Barbara Waldman
Windgate Foundation
Diamond Sponsors
Ruffo Family Foundation
Ruth Foundation for the Arts
Gold Sponsors
Anonymous
Osborne and Scekic Family Foundation
Trio Foundation of St. Louis
W.T. Walker Group, Inc.
Silver Sponsors
Anonymous
Baird
Ben and Dawn Flegel
Friends of Fiber Art International
Sharon and Tom Harty
Dave and Judy Hecker
Horizon Retail Construction, Inc.
Johnson Financial Group
Lang Family Foundation
Dorothy MacVicar
Jan Serr & John Shannon
Bronze Sponsors
Dave’s Wine Garage
Educators Credit Union
Express Employment Professionals
Lucy G. Feller
Hitter’s Baseball
SC Johnson
Bill and Debbie Keland
Susan Manalli
Norbell Foundation
JoAnna Poehlmann
Rasmussen Diamonds
Tito’s
Twin Disc
Media Sponsor
