
Karen Karnes
Three Forms, 2002
Salt-glazed stoneware
Left: 20 1/2 x 4 1/2 inches; Center: 30 1/2 x 6 1/4 inches; Right: 23 1/2 x 6 1/4 inches
Private Collection, New York
Photography: Anthony Cuñha
A Chosen Path: The Ceramic Art of Karen Karnes
January 29 – May 27, 2012
For more than 60 years Karen Karnes (1925–2016) has been at the forefront of the studio pottery movement. Over her long career, she has created some of the most iconic pottery of the late 20th and early 21st centuries. She has worked in some of the most significant cultural settings of her generation, including North Carolina’s avant-garde Black Mountain College in the 1950s.
Karnes’ artistic output is recognized for its understated, quietly poetic surfaces and sublime biomorphic forms. From her dramatic salt-glazed pottery of the 1960s and 70s, to her most recent complex joined sculptural pieces, Karnes consistently has challenged herself – with the unintentional consequence of irreversibly transforming the medium. She remains one of the medium’s most influential working potters and is a mentor to several generations of studio potters.
Peter Held, curator of ceramics at the Ceramics Research Center (CRC), shares his enthusiasm for this important exhibition. “Karnes career mirrors the burgeoning craft field in the United States starting after World War II. In the ensuing years she has produced work that is remarkable for its depth, personal voice, and consistent innovation,” Held says.
The organization and presentation of A Chosen Path: The Ceramic Art of Karen Karnes was generously funded by an Artist Exhibition grant from the Windgate Charitable Foundation, with additional support from the Ceres Trust, Friends of Contemporary Ceramics, the Center for Craft, Creativity and Design and the University of North Carolina Press, who undertook the production and distribution of the handsome exhibition catalogue. The exhibition will travel to four museums nationwide after the presentation at ASU.
More About the Exhibition
A Chosen Path: The Ceramic Art of Karen Karnes
January 29 – May 27, 2012

Karen Karnes
Three Forms, 2002
Salt-glazed stoneware
Left: 20 1/2 x 4 1/2 inches; Center: 30 1/2 x 6 1/4 inches; Right: 23 1/2 x 6 1/4 inches
Private Collection, New York
Photography: Anthony Cuñha
For more than 60 years Karen Karnes (1925–2016) has been at the forefront of the studio pottery movement. Over her long career, she has created some of the most iconic pottery of the late 20th and early 21st centuries. She has worked in some of the most significant cultural settings of her generation, including North Carolina’s avant-garde Black Mountain College in the 1950s.
Karnes’ artistic output is recognized for its understated, quietly poetic surfaces and sublime biomorphic forms. From her dramatic salt-glazed pottery of the 1960s and 70s, to her most recent complex joined sculptural pieces, Karnes consistently has challenged herself – with the unintentional consequence of irreversibly transforming the medium. She remains one of the medium’s most influential working potters and is a mentor to several generations of studio potters.
Peter Held, curator of ceramics at the Ceramics Research Center (CRC), shares his enthusiasm for this important exhibition. “Karnes career mirrors the burgeoning craft field in the United States starting after World War II. In the ensuing years she has produced work that is remarkable for its depth, personal voice, and consistent innovation,” Held says.
The organization and presentation of A Chosen Path: The Ceramic Art of Karen Karnes was generously funded by an Artist Exhibition grant from the Windgate Charitable Foundation, with additional support from the Ceres Trust, Friends of Contemporary Ceramics, the Center for Craft, Creativity and Design and the University of North Carolina Press, who undertook the production and distribution of the handsome exhibition catalogue. The exhibition will travel to four museums nationwide after the presentation at ASU.
More About the Exhibition
Gallery of Work
Exhibitions at RAM are made possible by:
Platinum Sponsors
The Estate of Karen Johnson Boyd
David Charak
Judith and David Flegel Fund
Ron and Judith Isaacs
Windgate Foundation
Diamond Sponsors
Ruffo Family Foundation
Ruth Foundation for the Arts
Diane Zebell
Gold Sponsors
Anonymous
A.C. Buhler Family
Robert E. Kohler Jr. Fund
Osborne and Scekic Family Foundation
Reliance Controls
Trio Foundation of St. Louis
W.T. Walker Group, Inc.
Silver Sponsors
Anonymous
Sandy and Gus Antonneau
Baird
Lucy G. Feller
Ben and Dawn Flegel
Sharon and Tom Harty
Dave and Judy Hecker
Paul Kalke
Horizon Retail Construction, Inc.
Johnson Financial Group
Lang Family Foundation
Dorothy MacVicar
Jan Serr & John Shannon
Sandra Shove
Willard and Mary Walker
Bronze Sponsors
Carol Baylon
Rose and Peter Christensen
Dave’s Wine Garage
Educators Credit Union
Patricia and Richard Ehlert
Express Employment Professionals
Deborah Ganaway
Carol Griseto
Hitter’s Baseball
SC Johnson
Bill and Debbie Keland
Nancy and Nick Kurten
Susan Manalli
Norbell Foundation
JoAnna Poehlmann
Rasmussen Diamonds
Harold and Lois Solberg
Kathy Stranghellini
Tito’s
Twin Disc
Janna Waldeck
Barbara Waldman