
Ben J. Cunningham
Lolly Pop Necklace from the Just Playing and Having Fun Series, 1999
Found candy and metal spring
13 1/2 x 13 1/2 x 3 inches
Racine art Museum, Gift of the Artist
Photography: Jon Bolton, Racine
Expect the Unexpected: Unusual Materials in Contemporary Craft
October 21, 2020 – July 3, 2021
Pablo Picasso’s Still Life with Chair Caning—an oval-shaped painting trimmed with a piece of rope as a frame—is often acknowledged as one of the first assemblage pieces as it incorporated a found object as part of the composition. Picasso’s work is also an early modern illustration of the idea that artists sometimes willingly utilize and experiment with materials that were produced for purposes other than art-making.
The advent of industrialization in modern Western societies encouraged the production of more goods and, ultimately, more excess and waste. This reality—as well as the idea that artists were able to focus more on the investigations of personal interests rather than commissions—led to endless new possibilities for using unexpected materials in their creative endeavors.
Expect the Unexpected features artworks drawn from RAM’s collection that incorporate unusual, surprising, or challenging materials. Rather than shying away from the potential care challenges they might entail, RAM embraces these objects as reflections of the inventiveness and experimentation that characterizes much contemporary art. However, RAM acknowledges that preserving and caring for works made of unusual materials does present some unexpected challenges. For example, artist Wesley Fleming’s Hornet’s Nest—which combines an actual found hornet’s nest with flameworked glass hornets—poses long-term conservation issues that are far different than those of a traditional ceramic or glass vessel. Similarly, artist Joy Raskin created spoon brooches with handles accented with actual aspirin tablets, which necessitate strategies for preservation far different from those usually associated with metal jewelry and objects.
More About the Exhibition
Artists in the Exhibition
Jerry Bleem, Patty Cokus, Susie Colquitt, Ben J. Cunningham, Teresa Faris, Wesley Fleming, Robly A. Glover, Lindsay Obermeyer, Emiko Oye, Joy Raskin, Karyl Sisson, Janna Syvänoja, Cynthia Toops, Jan Yager, and Sebastian Zarius
Expect the Unexpected: Unusual Materials in Contemporary Craft
October 21, 2020 – July 3, 2021

Ben J. Cunningham
Lolly Pop Necklace from the Just Playing and Having Fun Series, 1999
Found candy and metal spring
13 1/2 x 13 1/2 x 3 inches
Racine art Museum, Gift of the Artist
Photography: Jon Bolton, Racine
Pablo Picasso’s Still Life with Chair Caning—an oval-shaped painting trimmed with a piece of rope as a frame—is often acknowledged as one of the first assemblage pieces as it incorporated a found object as part of the composition. Picasso’s work is also an early modern illustration of the idea that artists sometimes willingly utilize and experiment with materials that were produced for purposes other than art-making.
The advent of industrialization in modern Western societies encouraged the production of more goods and, ultimately, more excess and waste. This reality—as well as the idea that artists were able to focus more on the investigations of personal interests rather than commissions—led to endless new possibilities for using unexpected materials in their creative endeavors.
Expect the Unexpected features artworks drawn from RAM’s collection that incorporate unusual, surprising, or challenging materials. Rather than shying away from the potential care challenges they might entail, RAM embraces these objects as reflections of the inventiveness and experimentation that characterizes much contemporary art. However, RAM acknowledges that preserving and caring for works made of unusual materials does present some unexpected challenges. For example, artist Wesley Fleming’s Hornet’s Nest—which combines an actual found hornet’s nest with flameworked glass hornets—poses long-term conservation issues that are far different than those of a traditional ceramic or glass vessel. Similarly, artist Joy Raskin created spoon brooches with handles accented with actual aspirin tablets, which necessitate strategies for preservation far different from those usually associated with metal jewelry and objects.
More About the Exhibition
Artists in the Exhibition
Jerry Bleem, Patty Cokus, Susie Colquitt, Ben J. Cunningham, Teresa Faris, Wesley Fleming, Robly A. Glover, Lindsay Obermeyer, Emiko Oye, Joy Raskin, Karyl Sisson, Janna Syvänoja, Cynthia Toops, Jan Yager, and Sebastian Zarius
Gallery of Work
Exhibitions at RAM are made possible by:
Platinum Partners
The Estate of Karen Johnson Boyd
David Charak
Judith and David Flegel Fund
Ron and Judith Isaacs
Windgate Foundation
Diamond Partners
Ruffo Family Foundation
Ruth Foundation for the Arts
Diane Zebell
Gold Partners
Anonymous
A.C. Buhler Family
Robert E. Kohler Jr. Fund
Osborne and Scekic Family Foundation
Reliance Controls
Trio Foundation of St. Louis
W.T. Walker Group, Inc.
Silver Partners
Anonymous
Sandy and Gus Antonneau
Baird
Lucy G. Feller
Ben and Dawn Flegel
Sharon and Tom Harty
Dave and Judy Hecker
Paula Kalke
Horizon Retail Construction, Inc.
Johnson Financial Group
Lang Family Foundation
Dorothy MacVicar
Jan Serr & John Shannon
Sandra Shove
Willard and Mary Walker
Bronze Partners
Carol Baylon
Rose and Peter Christensen
Dave’s Wine Garage
Educators Credit Union
Patricia and Richard Ehlert
Express Employment Professionals
Deborah Ganaway
Carol Griseto
Hitter’s Baseball
SC Johnson
Bill and Debbie Keland
Nancy and Nick Kurten
Susan Manalli
Norbell Foundation
JoAnna Poehlmann
Rasmussen Diamonds
Harold and Lois Solberg
Kathy Stranghellini
Tito’s
Twin Disc
Janna Waldeck
Barbara Waldman