
Pitseolak Ashoona
Summer Tent of Old, 1969
Color stone cut, edition 6/50
24 x 36 1/2 inches
Racine Art Museum, Gift of Devra Miller Breslow
Photography: Jarvis Lawson
RAM Showcase: Kinngait Prints
June 12 – August 10, 2024
at RAM’s Wustum Museum
While certain forms of image-making were practiced historically in the region, printmaking was not introduced to Kinngait (formerly known as Cape Dorset) in Arctic Canada until the 1950s. With purchases being made from cooperatives or artists directly, printmaking as a creative practice has become a primary economic stream for multiple generations of Inuit artists over the last few decades.
Most often experimenting with the printing techniques of etching, engraving, lithography, and silkscreen, the Kinngait artists tend to favor subjects and imagery that address the natural world, story-telling, and myths. This direction in subject matter echoes the content of other Kinngait art practices such as carving and drawing. Contemporary Inuit artists expand upon these traditions with work that embraces the past but might also raise critical questions about identity, social and cultural dynamics, and politics.
Home to North America’s largest contemporary craft collection, RAM also has an extensive collection of works on paper that includes fifteen prints from Kinngait artists and a limited edition book featuring works by one of the most prominent printmakers, Kenoujak Ashevak. This exhibition is a sampling of RAM’s current holdings in this area—Kinngait works are being incorporated into other museum programs such as theme exhibitions and social media as well.
The presence of this work in RAM’s collection is invaluable as it reflects an important arena for diverse voices in contemporary printmaking. And it introduces, most likely, new artists into the vocabulary of RAM and Wustum visitors. RAM strives to increase its holdings by contemporary Indigenous makers to showcase these creative visions and help preserve them for future appreciation and consideration.
More About the Exhibition
For Further Research
Kinngait artists’ work gets worldwide audience as studio marks 65 years | Nunatsiaq News
Akunnittinni: A Kinngait Family Portrait | Institute of American Indian Arts
A Family of Artists Creates a Portrait of Inuk Life Across Three Generations | Hyperallergic
Artists in the Exhibition
Kenoujak Ashevak, Pitseolak Ashoona, Etidlooie Kingmeata, Kananginak Pootoogook, and Keeleemeeoomee Samualie
RAM Showcase: Kinngait Prints
June 12 – August 10, 2024
at RAM’s Wustum Museum

Pitseolak Ashoona
Summer Tent of Old, 1969
Color stone cut, edition 6/50
24 x 36 1/2 inches
Racine Art Museum, Gift of Devra Miller Breslow
Photography: Jarvis Lawson
While certain forms of image-making were practiced historically in the region, printmaking was not introduced to Kinngait (formerly known as Cape Dorset) in Arctic Canada until the 1950s. With purchases being made from cooperatives or artists directly, printmaking as a creative practice has become a primary economic stream for multiple generations of Inuit artists over the last few decades.
Most often experimenting with the printing techniques of etching, engraving, lithography, and silkscreen, the Kinngait artists tend to favor subjects and imagery that address the natural world, story-telling, and myths. This direction in subject matter echoes the content of other Kinngait art practices such as carving and drawing. Contemporary Inuit artists expand upon these traditions with work that embraces the past but might also raise critical questions about identity, social and cultural dynamics, and politics.
Home to North America’s largest contemporary craft collection, RAM also has an extensive collection of works on paper that includes fifteen prints from Kinngait artists and a limited edition book featuring works by one of the most prominent printmakers, Kenoujak Ashevak. This exhibition is a sampling of RAM’s current holdings in this area—Kinngait works are being incorporated into other museum programs such as theme exhibitions and social media as well.
The presence of this work in RAM’s collection is invaluable as it reflects an important arena for diverse voices in contemporary printmaking. And it introduces, most likely, new artists into the vocabulary of RAM and Wustum visitors. RAM strives to increase its holdings by contemporary Indigenous makers to showcase these creative visions and help preserve them for future appreciation and consideration.
More About the Exhibition
For Further Research
Kinngait artists’ work gets worldwide audience as studio marks 65 years | Nunatsiaq News
Akunnittinni: A Kinngait Family Portrait | Institute of American Indian Arts
A Family of Artists Creates a Portrait of Inuk Life Across Three Generations | Hyperallergic
Artists in the Exhibition
Kenoujak Ashevak, Pitseolak Ashoona, Etidlooie Kingmeata, Kananginak Pootoogook, and Keeleemeeoomee Samualie
Installation View
Exhibitions at RAM are made possible by:
Platinum Partners
Anonymous
The Estate of Karen Johnson Boyd
Ron and Judith Isaacs

The Estate of Marilyn Rothschild
Windgate Foundation
Diamond Partners
David Charak
Ruffo Family Foundation
Ruth Arts Foundation
Diane Zebell
Gold Partners
Judith and David Flegel Fund
Osborne and Scekic Family Foundation
Reliance Controls Community Fund
W.T. Walker Group, Inc.
Silver Partners
Anonymous
Anonymous
Bader Philanthropies
Baird
A.C. Buhler Family
Dave’s Wine Garage
Paula and E.L. Donovitz Memorial Endowment Fund
Ben and Dawn Flegel
Tom Harty
Horizon Retail Construction, Inc.
Johnson Financial Group
Robert E. Kohler Jr. Fund
Luanne Frey and Mark Lukow
Sheri and Frank Sullivan
Wisconsin Arts Board
Bronze Partners
Sandy and Gus Antonneau
Carol Baylon
Susan Boland
Rose and Peter Christensen
Educators Credit Union
Carol Griseto
Julia Ann Oas and Don Gloo
Hitter’s Baseball
Debbie and Chuck Hoffman
Susan and Dan Horton
Gary Van Wert and Ronald Jacquart
Paula Kalke
Bill and Debbie Keland
Nancy Kurten
Susan Manalli
Norbell Foundation
O&H Danish Bakery
Rita Petretti
Rasmussen Diamonds
SC Johnson
Harold and Lois Solberg
Twin Disc
Marc J. Wollman
Amy and Robb Woulfe
Media Sponsor
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