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Georgia Bellas, Racine

2024-25 RAM Artist Fellowship Award Recipient

Georgia Bellas is a multidisciplinary artist working with writing, film, puppetry, music, jewelry, printmaking, textile arts, and more. Originally from Massachusetts, she graduated from Harvard and Radcliffe Colleges and worked at Harvard Public Affairs and Communications for almost two decades.

Bellas has shown mixed media artwork in 20 solo and group exhibitions from 2001 through 2011 in the Boston area. She moved to Racine in 2017, where she studies herbalism and makes music, art, and books with her partner. In recent years, Bellas has devoted attention to puppetry, both participating in live performances on Zoom and making films featuring her puppets.

Bellas is the creator and host of Mr. Bear’s Violet Hour, a podcast featuring stories, music, interviews, puppetry, herbalism, and more. She has received awards for her work in radio, film, and writing, received a Best of the Net award for her poem How Not to Win at Big Buck Hunter, and has been nominated for the Pushcart Prize, Best Small Fictions, and Best Microfiction.

Artist Statement

Weaving threads of the subconscious and dream worlds into the narrative of the present, I make the familiar unfamiliar, the mundane mysterious, and shine a spotlight on the pockets of animism inherent in everything around us. Through object theater, I release the inner spirits of inanimate objects by exploring the possibilities inherent in their materials and movement. I play with shadow and transformation and the alchemizing power of story. My work crosses many disciplines, including writing, film, puppetry, music, jewelry, and textile arts. Currently I am obsessed with amulets and oracles, memory and time, grief and dreams.

Georgia Bellas, Racine

2024-25 RAM Artist Fellowship Award Recipient
Bellas Headshot By Camela Langendorf
Photography: Camela Langendorf, Varitay Studios

Georgia Bellas is a multidisciplinary artist working with writing, film, puppetry, music, jewelry, printmaking, textile arts, and more. Originally from Massachusetts, she graduated from Harvard and Radcliffe Colleges and worked at Harvard Public Affairs and Communications for almost two decades.

Bellas has shown mixed media artwork in 20 solo and group exhibitions from 2001 through 2011 in the Boston area. She moved to Racine in 2017, where she studies herbalism and makes music, art, and books with her partner. In recent years, Bellas has devoted attention to puppetry, both participating in live performances on Zoom and making films featuring her puppets.

Bellas is the creator and host of Mr. Bear’s Violet Hour, a podcast featuring stories, music, interviews, puppetry, herbalism, and more. She has received awards for her work in radio, film, and writing, received a Best of the Net award for her poem How Not to Win at Big Buck Hunter, and has been nominated for the Pushcart Prize, Best Small Fictions, and Best Microfiction.

Artist Statement

Weaving threads of the subconscious and dream worlds into the narrative of the present, I make the familiar unfamiliar, the mundane mysterious, and shine a spotlight on the pockets of animism inherent in everything around us. Through object theater, I release the inner spirits of inanimate objects by exploring the possibilities inherent in their materials and movement. I play with shadow and transformation and the alchemizing power of story. My work crosses many disciplines, including writing, film, puppetry, music, jewelry, and textile arts. Currently I am obsessed with amulets and oracles, memory and time, grief and dreams.

Interview with the Artist, January 2025

Please share the basics of your art career thus far. Education, years working, etc. How long have you been a part of the Racine/Kenosha community?

As a child I was always making things—books, dolls, potions, puppets, imaginary worlds. But my favorite thing was reading and writing. I didn’t think of myself as an artist. I studied psychology as an undergraduate but fell in love with photography and developing my own film and being in the darkroom. Since then, I have simply followed my interests and taken classes in many different art forms, including drawing, printmaking, bookmaking, digital arts, puppetry, jewelry, and more. Over the years I have received awards for my work in radio, film, and writing, and exhibited photography and mixed media artworks in solo and group shows. I moved to Racine from the East Coast in 2017 and am inspired everyday living by the lake and sharing a life of creativity and love with my partner.

Would you please describe your work–what materials you use, what subject matters you explore?

My work explores time, memory, grief, childhood, and the alchemizing power of story. I play with textiles, weaving, natural dyeing, paper, words, film, printmaking, found objects, sardine cans, trash, puppets, etc.. I see possibilities in everything around me. Anything and everything can be a puppet or artistic material.

How often are you in your studio? Do you work outside of your studio much or at all?

Basically every room of the house is my studio. Sometimes I work in the garage too. But I also go through long periods of what I call hunting and gathering. It’s like with fermentation or making a tincture—you have ingredients in a jar and it might look like nothing is happening at first, but with the magic of time and unseen processes transformation happens.

What inspires you most these days? But also what do you go to bed thinking about most nights?

I’m inspired by empty spaces, doorknobs, keys, closets, patches, old dolls, late afternoon sunlight, clocks and broken watches, Greek folktales, amulets, lullabies.

I go to bed thinking and worrying about genocide, racism, inequality, the state of health care, the destruction of the planet by late-stage capitalism and greed and billionaires. There’s no end to the horrors out there. But I also think about the power of community and the strength and hope in coming together and the ripple effect that can come from every small action. I think about how lucky I am to have the life I do and how can I share that with others.

What does it mean to you to get recognition as a RAM Fellowship Award winner?

I was ecstatic to receive a RAM Fellowship Award. It’s an incredible feeling to have people believe in your art, to have someone give you money and opportunity and a space to show work. I’m very grateful.

Sample of Work

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