
Rosita Johanson
Garden of Eden, ca. 1990–95
Dyed cotton fabric, dyed cotton thread, metallic thread, and acrylic paint
8 1/4 x 9 1/2 inches
Racine Art Museum, Gift of Mobilia Gallery, Cambridge, Massachusetts
Photography: Jon Bolton
Collection Focus: Rosita Johanson
October 21, 2012 – February 3, 2013
This exhibition offers an in-depth experience of the work of late Canadian artist Rosita Johanson (1937-2007). A dressmaker by trade, fiber artist Johanson applied her natural ability of working with thread and fabric to creating colorful, embroidered narratives full of people, animals, and activity. This Collection Focus series solo exhibition at RAM offers 20 works created in the 1990s and early 2000s that together form an archive of Johanson’s working methods and her subject matter over a prolonged period of time.
Drawing on childhood memories, her imagination, and stories her father told her, as well as some topical political and social issues, Johanson would piece together compositions using appliqué, machine embroidery, and hand-stitching. Her small-scale designs (sizes range from 3 x 4 to 8 x 8 inches), which often began as sketches, culminated in layers of thread and fabric.
As an artist, Johanson was largely self-taught-she learned many of her methods of working from a lifetime of being near people interested in fiber and thread, and through her own investigations as an adult. She had two primary methods for executing her compositions-a combination of hand and machine stitching or punch needle embroidery (also known as loop pile embroidery), which creates a surface similar to a miniature pile carpet. In addition, her textiles exhibit a strong interest in visual collage as she combined fabric with fiber and found object elements. Johanson began presenting her work in professional venues in the mid-1980s. From 1984 through 1994 she regularly participated in outdoor art exhibitions in Toronto. However, it was her inclusion in the 6th and 7th International Biennale of Miniature Textiles in Hungary (1986 and 1988) that led to important international recognition of her work, including representation by Mobilia Gallery in Cambridge, Massachusetts. In addition to the Racine Art Museum, Johanson’s works are in the permanent collections of the Museum of Fine Arts, Boston, and the Jean Lurçat Museum in Angers, France.
More About the Exhibition
Exhibition Catalogue, available to purchase from the RAM Online Store
Collection Focus: Rosita Johanson
October 21, 2012 – February 3, 2013

Rosita Johanson
Garden of Eden, ca. 1990–95
Dyed cotton fabric, dyed cotton thread, metallic thread, and acrylic paint
8 1/4 x 9 1/2 inches
Racine Art Museum, Gift of Mobilia Gallery, Cambridge, Massachusetts
Photography: Jon Bolton
This exhibition offers an in-depth experience of the work of late Canadian artist Rosita Johanson (1937-2007). A dressmaker by trade, fiber artist Johanson applied her natural ability of working with thread and fabric to creating colorful, embroidered narratives full of people, animals, and activity. This Collection Focus series solo exhibition at RAM offers 20 works created in the 1990s and early 2000s that together form an archive of Johanson’s working methods and her subject matter over a prolonged period of time.
Drawing on childhood memories, her imagination, and stories her father told her, as well as some topical political and social issues, Johanson would piece together compositions using appliqué, machine embroidery, and hand-stitching. Her small-scale designs (sizes range from 3 x 4 to 8 x 8 inches), which often began as sketches, culminated in layers of thread and fabric.
As an artist, Johanson was largely self-taught-she learned many of her methods of working from a lifetime of being near people interested in fiber and thread, and through her own investigations as an adult. She had two primary methods for executing her compositions-a combination of hand and machine stitching or punch needle embroidery (also known as loop pile embroidery), which creates a surface similar to a miniature pile carpet. In addition, her textiles exhibit a strong interest in visual collage as she combined fabric with fiber and found object elements. Johanson began presenting her work in professional venues in the mid-1980s. From 1984 through 1994 she regularly participated in outdoor art exhibitions in Toronto. However, it was her inclusion in the 6th and 7th International Biennale of Miniature Textiles in Hungary (1986 and 1988) that led to important international recognition of her work, including representation by Mobilia Gallery in Cambridge, Massachusetts. In addition to the Racine Art Museum, Johanson’s works are in the permanent collections of the Museum of Fine Arts, Boston, and the Jean Lurçat Museum in Angers, France.
More About the Exhibition
Exhibition Catalogue, available to purchase from the RAM Online Store
Gallery of Work
Exhibitions at RAM are made possible by:
Platinum Sponsors
Judith and David Flegel Fund
Institute of Museum and Library Services
Ron and Judith Isaacs
Nicholas and Nancy Kurten
Windgate Foundation
Diamond Sponsors
Osborne and Scekic Family Foundation
Ruffo Family Foundation
Gold Sponsors
David Charak
Silver Sponsors
A.C. Buhler Family
Baird
Lucy G. Feller
Ben and Dawn Flegel
Annette Hirsh Family
J. Jeffers & Co.
Dorothy MacVicar
Bronze Sponsors
Anonymous
Susan Boland
Virginia Buhler
Butcher & Barrel/Amos Los Tacos
Educators Credit Union
Express Employment Professionals
Get Behind the Arts Studio Tour
William A. Guenther
Tom and Sharon Harty
Tony and Andrea Hauser
David and Judy Hecker
Bradley Lynch
Carlotta Miller
Larry and Barbara Newman
The Norbell Foundation
The Prairie School
Georgiana Treivush
Twin Disc, Inc.
Deb and Will Walker