
Joyce Scott
Topographical Fields (Neckpiece), 1989
Glass beads, thread, and wire
11 1/2 x 9 1/2 x 2 inches
Racine Art Museum, Gift of Laura Oskowitz
Photography: Jon Bolton
Get a Bead On: Jewelry and Small Objects
July 21, 2021 – January 22, 2022
One of the primary definitions of a bead emphasizes its use in adornment or an ornamental capacity. Contemporary artists who work with beads sometimes adhere to these parameters and sometimes challenge them. This exhibition, comprised of works from RAM’s collection, reveals the expansive potential of beads for structure as well as decoration in contemporary art jewelry and small-scale objects.
As shifting Native American beadwork practices have made clear, the materials used to form beads can change depending on geography, use, cultural and personal preference, and availability. Contemporary artists—many with multiple options available to them—make choices based on aesthetic, conceptual, practical, personal, and symbolic intent. For example, silversmith Jasper Nelson draws on generational Navajo family knowledge and interest to create beaded neckpieces with a minimalist aesthetic. Interested in highlighting the “foodstuffs of our communal desire,” Linda Dolack covers candy boxes, food containers, and grocery carts with glass beads as she ironically highlights mass consumption and production. Holly Anne Mitchell uses recycled newspaper to create beaded bracelets, brooches, necklaces, and earrings that speak to eco-friendly practices as well as challenge assumptions about which materials can be used for jewelry.
Drawn together by a common form, the works included in this exhibition reflect a variety of perspectives on materials, techniques, and wearability. In addition to addressing these formal qualities, the artists also explore a range of social and cultural themes including perceptions of race, material consumption, and excess.
More About the Exhibition
Artists in the Exhibition
Garry Knox Bennett, Flora Book, David Chatt, Sharon Church, Linda Dolack, Kathleen Dustin, Christina Eustace, Linda Fifield, Valerie Hector, Tina Fung Holder, Tory Hughes, Jan Huling, Donna Kato, Jacqueline Irene Lillie, Karen Thuesen Massaro, James Minson, Holly Anne Mitchell, Marilyn Moore, Merrill Morrison, Jasper Nelson, Judy Onofrio, Angie Reano Owen, Susan Rezac, Axel Russmeyer, Melissa Schmidt, Joyce Scott, Mary Tingley, Pier Voulkos, Kathy Wegman, and Tom Wegman
Get a Bead On: Jewelry and Small Objects
July 21, 2021 – January 22, 2022

Joyce Scott
Topographical Fields (Neckpiece), 1989
Glass beads, thread, and wire
11 1/2 x 9 1/2 x 2 inches
Racine Art Museum, Gift of Laura Oskowitz
Photography: Jon Bolton
One of the primary definitions of a bead emphasizes its use in adornment or an ornamental capacity. Contemporary artists who work with beads sometimes adhere to these parameters and sometimes challenge them. This exhibition, comprised of works from RAM’s collection, reveals the expansive potential of beads for structure as well as decoration in contemporary art jewelry and small-scale objects.
As shifting Native American beadwork practices have made clear, the materials used to form beads can change depending on geography, use, cultural and personal preference, and availability. Contemporary artists—many with multiple options available to them—make choices based on aesthetic, conceptual, practical, personal, and symbolic intent. For example, silversmith Jasper Nelson draws on generational Navajo family knowledge and interest to create beaded neckpieces with a minimalist aesthetic. Interested in highlighting the “foodstuffs of our communal desire,” Linda Dolack covers candy boxes, food containers, and grocery carts with glass beads as she ironically highlights mass consumption and production. Holly Anne Mitchell uses recycled newspaper to create beaded bracelets, brooches, necklaces, and earrings that speak to eco-friendly practices as well as challenge assumptions about which materials can be used for jewelry.
Drawn together by a common form, the works included in this exhibition reflect a variety of perspectives on materials, techniques, and wearability. In addition to addressing these formal qualities, the artists also explore a range of social and cultural themes including perceptions of race, material consumption, and excess.
More About the Exhibition
Artists in the Exhibition
Garry Knox Bennett, Flora Book, David Chatt, Sharon Church, Linda Dolack, Kathleen Dustin, Christina Eustace, Linda Fifield, Valerie Hector, Tina Fung Holder, Tory Hughes, Jan Huling, Donna Kato, Jacqueline Irene Lillie, Karen Thuesen Massaro, James Minson, Holly Anne Mitchell, Marilyn Moore, Merrill Morrison, Jasper Nelson, Judy Onofrio, Angie Reano Owen, Susan Rezac, Axel Russmeyer, Melissa Schmidt, Joyce Scott, Mary Tingley, Pier Voulkos, Kathy Wegman, and Tom Wegman
Gallery of Work
Exhibitions at RAM are made possible by:
Platinum Sponsors
The Estate of Karen Johnson Boyd
David Charak
Judith and David Flegel Fund
Institute of Museum and Library Services
Ron and Judith Isaacs
Nicholas and Nancy Kurten
Windgate Foundation
Diamond Sponsors
City of Racine’s Grow Racine Grant
Osborne and Scekic Family Foundation
Ruffo Family Foundation
Ruth Arts Foundation
Gold Sponsors
Anonymous
Tom and Irene Creecy
Richard and Patricia Ehlert
Herzfeld Foundation
Reliance Controls
Ruth Foundation for the Arts
Trio Foundation of St. Louis
W.T. Walker Group, Inc.
Wisconsin Arts Board
Silver Sponsors
Anonymous
Art Bridges
Baird
A.C. Buhler Family
Lucy G. Feller
Ben and Dawn Flegel
Jim Harris
Sharon and Tom Harty
Lise Iwon
J. Jeffers & Co.
Johnson Financial Group
Dorothy MacVicar
Jan Serr and John Shannon
Bronze Sponsors
Ellen and Joseph Albrecht
Andis Foundation
Susan Boland
Virginia Buhler
Butcher & Barrel/Amos Los Tacos
Educators Credit Union
Express Employment Professionals
Tony and Andrea Hauser
Bill and Debbie Keland
Susan Manalli
Jean and Alex Mandli, Jr.
The Prairie School
Cathy Stanghellin
Georgiana Treivush
Twin Disc, Inc.