Joan Pearson Watkins
Teapot, ca. 1955
Glazed stoneware
9 x 6 x 4 inches
Racine Art Museum, Gift of The Joan Pearson Revocable Trust
Photography: Jon Bolton, Racine
OBJECTS REDUX: Small-Scale Studio Craft of the 1950s and 1960s
October 20, 2019 – February 2, 2020
at Racine Art Museum
The Ruffo and Schumann galleries showcase work made in the decades just prior to OBJECTS: USA. In these spaces are small-scale ceramic, glass, wood, and metal objects from the 1950s and 1960s that reflect the types of works most associated with craft up to that point. Before OBJECTS: USA toured the country in the late 1960s and early 1970s, conversations about craft as art were percolating. However, the type of craft that predominated was functional. While there were artists already pushing the boundaries of what that could mean, the public most likely thought about craft, if they did at all, in terms similar to the vessels, bowls, and “useful” items represented here.
More About the Exhibition
Artists in the Exhibition
Dale Chihuly, Edward Cromey, Eugene Deutch, Richard DeVore, Robert W. Ebendorf, Elsa Bates Freund, Verne J. Funk, Karen Karnes, Maria Martinez, Joel Philip Myers, Gertrud Natzler, Otto Natzler, Harry Nohr, Ronald Hayes Pearson, Susan Harnly Peterson, Dame Lucie Rie, Edwin Scheier, Mary Scheier, William Spratling, Robert Stocksdale, Toshiko Takaezu, James L. Tanner, Mary Tingley, Joan Pearson Watkins, Beatrice Wood, and Claire Zeisler
OBJECTS REDUX: Small-Scale Studio Craft of the 1950s and 1960s
October 20, 2019 – February 2, 2020
at Racine Art Museum
Joan Pearson Watkins
Teapot, ca. 1955
Glazed stoneware
9 x 6 x 4 inches
Racine Art Museum, Gift of The Joan Pearson Revocable Trust
Photography: Jon Bolton, Racine
The Ruffo and Schumann galleries showcase work made in the decades just prior to OBJECTS: USA. In these spaces are small-scale ceramic, glass, wood, and metal objects from the 1950s and 1960s that reflect the types of works most associated with craft up to that point. Before OBJECTS: USA toured the country in the late 1960s and early 1970s, conversations about craft as art were percolating. However, the type of craft that predominated was functional. While there were artists already pushing the boundaries of what that could mean, the public most likely thought about craft, if they did at all, in terms similar to the vessels, bowls, and “useful” items represented here.
More About the Exhibition
Artists in the Exhibition
Dale Chihuly, Edward Cromey, Eugene Deutch, Richard DeVore, Robert W. Ebendorf, Elsa Bates Freund, Verne J. Funk, Karen Karnes, Maria Martinez, Joel Philip Myers, Gertrud Natzler, Otto Natzler, Harry Nohr, Ronald Hayes Pearson, Susan Harnly Peterson, Dame Lucie Rie, Edwin Scheier, Mary Scheier, William Spratling, Robert Stocksdale, Toshiko Takaezu, James L. Tanner, Mary Tingley, Joan Pearson Watkins, Beatrice Wood, and Claire Zeisler
Gallery of Work
Exhibitions at RAM are made possible by:
Platinum Sponsors
The Estate of Karen Johnson Boyd
David Charak
Judith and David Flegel Fund
Ron and Judith Isaacs
Barbara Waldman
Windgate Foundation
Diamond Sponsors
Ruffo Family Foundation
Ruth Foundation for the Arts
Gold Sponsors
Anonymous
Osborne and Scekic Family Foundation
Trio Foundation of St. Louis
W.T. Walker Group, Inc.
Silver Sponsors
Anonymous
Baird
Ben and Dawn Flegel
Friends of Fiber Art International
Sharon and Tom Harty
Dave and Judy Hecker
Horizon Retail Construction, Inc.
Johnson Financial Group
Lang Family Foundation
Dorothy MacVicar
Jan Serr & John Shannon
Bronze Sponsors
Dave’s Wine Garage
Educators Credit Union
Express Employment Professionals
Lucy G. Feller
Hitter’s Baseball
SC Johnson
Bill and Debbie Keland
Susan Manalli
Norbell Foundation
JoAnna Poehlmann
Rasmussen Diamonds
Tito’s
Twin Disc