Precious Metals: Shining Examples from RAM’s Collection
A companion exhibition to Go for Baroque, this exhibition explores our innate fascination with things that glisten and plays with notions of preciousness and material value.
A companion exhibition to Go for Baroque, this exhibition explores our innate fascination with things that glisten and plays with notions of preciousness and material value.
RAM goes “glam" with exhibitions featuring artists who explore the decorative and excessive as well as things that gleam and shine.
RAM presents an untraditional exhibition showcasing art made from or inspired by fluffy, sugarcoated marshmallow PEEPS®. This year, the museum welcomes 123 entries that demonstrate the talent of 154 artists.
The work of Mark Adams and Frank Lobdell may not be similar in terms of subject matter, but they share a desire to explore color.
Even in a culture that seems more and more digitally-oriented, the exhibition highlights how paper remains a material that is pervasive.
While many contemporary artists use color as a principal element, this exhibition focuses on it as a defining principle in form and design for work that is not figurative
Art dealer Byron Roche—former owner of Chicago’s Roche gallery—and Scott Ashley—artist and associate director of Perimeter Gallery, Inc. in Chicago—selected the 116 works by 93 Wisconsin artists in this year's exhibition.
Highlights functional artworks from Racine Art Museum's collection that could be used for everyday rituals such as drinking and eating.
A collection of a wide range of furniture and objects, this exhibition reflects regional artists applying their individual styles and personal interests to this often-discarded wood.
The exhibition underscores the ability some artists have to decontextualize the marginalized or overlooked, and to imbue the ordinary with something extraordinary.
The second biennial RAM Artist Fellowship Exhibition—presented by the Osborne and Scekic Family Foundation—featuring the work of Lisa Marie Barber, Diane Levesque, Bill Reid, and Jim Sincock.
This exhibition, featuring Milwaukee-born artist Joan Backes, marries the natural color, shape, and pattern of leaves and branches with human interference.
This exhibition celebrates a gift of 65 glass pieces, donated by Los Angeles area collectors Daniel Greenberg and Susan Steinhauser.
This exhibition includes the work of familial artists—couples, parents and children, or siblings—drawn primarily from RAM’s collection, and with a concentration of collaborative ceramic work borrowed from emerging artists, twin brothers Kelly and Kyle Phelps.
Featuring work with phenomena that may be floating, transforming, or imprecise—as if somehow moving through another dimension.
This exhibition explores the intersection of art with cultural subjects that inspire devoted “fan” followings—specifically the science fiction and fantasy-based themes of Doctor Who, Star Wars, superheroes, and steampunk.
In the collections of an internationally-known art museum and a preparatory school are pieces from the groundbreaking collection and exhibition, OBJECTS: USA.
Body Language: New Acquisitions of Figurative Work reflects our desire to study, analyze, and respond to the human body as form and content. Whether clay, fiber, or paint on canvas, the works in this exhibition underscore the enduring artistic interest in the body as subject.
One of the Racine Art Museum’s most popular shows, Watercolor Wisconsin is a statewide competition organized by the museum annually since 1966. This year's show featured 114 pieces by 100 Wisconsin artists.
A glimpse into local talent, this juried exhibition showcases work from artists residing throughout Racine, Kenosha, and Walworth counties, along with RAM members from outside the area.