Comprised of pieces spanning multiple decades—specifically 1977 – 2006—the archive features various types of photographs. This exhibition debuts selections from the archive in stages—consecutively showcasing the Nagatani/Ryoichi Excavations Series, Chromatherapy Series, and works related to nuclear power.

Part of the RAM Showcase series of exhibitions centering the work of artists of color, this exhibition is a sampling of prints from RAM's collection created by Inuit artists in Kinngait (formerly Cape Dorset).

Part of the recently formed RAM Showcase exhibition series, this first show to focus solely on new artists of color in the collection features the work of Lorena Angulo, Tanya Crane, Seulgi Kwon, and Georgina Treviño

Part of the RAM Showcase exhibition series, Focus on Clay centers on the work of artists of color and those represented here specifically reflect a range of artistic practices and approaches. Taken collectively, these objects represent multiple decades of working with clay.

This exhibition—part of the RAM Showcase series—highlights the work of artists Russell T. Gordon and James Tanner, both of whom were educators with significant positions in their respective universities. While both of their works have been shown at RAM before, this exhibition is an opportunity to share more about the artists—reflecting a few moments of intersection between them.

This exhibition spotlights glass as an art medium but, more importantly, in some ways, calls attention to the work of contemporary artists of color from RAM’s collection. While neither of these two threads are unique ones at RAM, this is the first exhibition dedicated to featuring only artists of color working with this material.

This show—part of the new RAM Showcase series of exhibitions—highlights contemporary artists of color whose work addresses intellectual, philosophical, and spiritual concepts through abstraction.

The unifying theme of this exhibition is that the works presented are objects—sculptural, functional, or both—made by artists from diverse backgrounds, all residing within the United States. Subject matter varies—from material exploration to personal narrative to function. While this work is not directly issue-oriented, the fact that the makers themselves, as artists of color, have experienced a wide range of implicit and explicit biases is a subcontext worthy of consideration. Seen through that lens, the story these objects tell is even more complex.