Video by Reservoir Video Co.

Nicole Acosta: HOOPS—Beyond the Aesthetic Lies the Story

August 28 – November 23, 2024
at RAM’s Wustum Museum
El estudio de la existencia surge a través de imágenes, películas e historias que se encuentran en el Proyecto HOOPS. Este conjunto de trabajos expresa temas como la reclamación, el poder, la pertenencia y lugar. Que inspiran y promueven conversaciones sobre la rectif icación, la descolonización y la representación. HOOPS también considera la cultura, la narración, la memoria y el ritual como un modo de ir más allá de los archivos tradicionales.
—Nicole Acosta

Artista Nicole Acosta, establecida y basada en Milwaukee, recurre la historia cultural de los aros como adornos para crear retratos de personas con aretes de aros. Acosta reúne las voces de mujeres de color que comparten historias motivadas por la pregunta: “¿Qué significan los aretes de aros para ti?”. Más que una simple documentación, las imágenes de Acosta evocan la personalidad de la persona retratada y provoca un diálogo sobre el poder simbólico de las joyas más allá de la elección estética.

Los aretes de aro tienen un linaje histórico muy antiguo: difícil de señalar el uso más antiguo conocido, pero hay ejemplos conocidos por todo el mundo. Con el tiempo, han llegado a simbolizar la feminidad, el orgullo y el empoderamiento. Cuando pasan de generación en generación como objetos de reliquia, mantienen estas asociaciones al tiempo mientras adquieren nuevas capas de significado.

Acosta ha documentado historias, imágenes e ideas de más de 100 personas de todo el país. Su trabajo aborda los aros en múltiples niveles: como agentes de elección y expresión personal y como símbolos de dinámicas sociales y culturales.Además de centrarse en perspectivas que no se han compartido a menudo, el proyecto de Acosta aborda las representaciones sociales y culturales de las mujeres de color. Dentro de la fotografía contemporánea, amplía el diálogo de quién puede fotografiar qué y por qué, mientras que continúa un legado rico, aunque no siempre reconocido, de fotógrafos LatinX.

The study of existence emerges through images, film, and story found in the HOOPS Project. This body of work expresses themes like reclamation, power, belonging, and place. All of which inspire and advance conversations around erasure, decolonization, and representation. HOOPS also considers culture, storytelling, memory, and ritual as a mode to go beyond traditional archives.
Nicole Acosta

Milwaukee-based artist Nicole Acosta draws on the cultural history of adornment to create portraits of individuals in hoop earrings. Acosta gathers the voices of people as they share stories prompted by the question, “What do hoop earrings mean to you?” More than just documentation, Acosta’s images evoke the personality of the sitter and engage in a dialogue about the symbolic power of jewelry beyond aesthetic choice.

Hoop-shaped earrings have ancient historical lineage—pinpointing the earliest known usage is difficult, but there are known examples from across the world. Over time, they have come to symbolize womanhood, pride, and empowerment. When they pass down through generations as heirloom objects, they uphold these associations while acquiring new layers of meaning.

Acosta has documented stories, images, and ideas from over 100 individuals countrywide. Her work addresses hoop earrings on multiple levels—as agents of personal choice and expression and as symbols of social and cultural dynamics. In addition to centering perspectives that have not often been shared, Acosta’s project addresses social and cultural representations of Black, Brown, Indigenous, Asian, and other individuals of the global majority. Within contemporary photography, she expands the dialogue of who gets to photograph what and why while also continuing a rich, if not always acknowledged, legacy of Latinx photographers.

Owing to the award of an Equity Innovation Fund grant from the United Way of Racine County, RAM is organizing three different exhibitions and multiple community outreach programs that feature Mexican American artists Nicole Acosta and René Amado. Both artists use their work to address cultural identity—often centering a multidisciplinary approach that highlights their perspectives as artists of color and offers a dynamic platform to examine and reframe personal, social, and cultural issues.

Programs such as these are vital as they spotlight significant voices of color. Acosta and Amado speak to their heritage while adding to the dynamism of the contemporary art landscape and offering perspectives that can potentially engage those not otherwise inclined to visit contemporary art museums. Additionally, these two regional artists reflect the strength of creativity in the area.

Nicole Acosta: HOOPS—Beyond the Aesthetic Lies the Story

August 28 – November 23, 2024
at RAM’s Wustum Museum
Video by Reservoir Video Co.
El estudio de la existencia surge a través de imágenes, películas e historias que se encuentran en el Proyecto HOOPS. Este conjunto de trabajos expresa temas como la reclamación, el poder, la pertenencia y lugar. Que inspiran y promueven conversaciones sobre la rectif icación, la descolonización y la representación. HOOPS también considera la cultura, la narración, la memoria y el ritual como un modo de ir más allá de los archivos tradicionales.
—Nicole Acosta

Artista Nicole Acosta, establecida y basada en Milwaukee, recurre la historia cultural de los aros como adornos para crear retratos de personas con aretes de aros. Acosta reúne las voces de mujeres de color que comparten historias motivadas por la pregunta: “¿Qué significan los aretes de aros para ti?”. Más que una simple documentación, las imágenes de Acosta evocan la personalidad de la persona retratada y provoca un diálogo sobre el poder simbólico de las joyas más allá de la elección estética.

Los aretes de aro tienen un linaje histórico muy antiguo: difícil de señalar el uso más antiguo conocido, pero hay ejemplos conocidos por todo el mundo. Con el tiempo, han llegado a simbolizar la feminidad, el orgullo y el empoderamiento. Cuando pasan de generación en generación como objetos de reliquia, mantienen estas asociaciones al tiempo mientras adquieren nuevas capas de significado.

Acosta ha documentado historias, imágenes e ideas de más de 100 personas de todo el país. Su trabajo aborda los aros en múltiples niveles: como agentes de elección y expresión personal y como símbolos de dinámicas sociales y culturales.Además de centrarse en perspectivas que no se han compartido a menudo, el proyecto de Acosta aborda las representaciones sociales y culturales de las mujeres de color. Dentro de la fotografía contemporánea, amplía el diálogo de quién puede fotografiar qué y por qué, mientras que continúa un legado rico, aunque no siempre reconocido, de fotógrafos LatinX.

The study of existence emerges through images, film, and story found in the HOOPS Project. This body of work expresses themes like reclamation, power, belonging, and place. All of which inspire and advance conversations around erasure, decolonization, and representation. HOOPS also considers culture, storytelling, memory, and ritual as a mode to go beyond traditional archives.
Nicole Acosta

Milwaukee-based artist Nicole Acosta draws on the cultural history of adornment to create portraits of individuals in hoop earrings. Acosta gathers the voices of people as they share stories prompted by the question, “What do hoop earrings mean to you?” More than just documentation, Acosta’s images evoke the personality of the sitter and engage in a dialogue about the symbolic power of jewelry beyond aesthetic choice.

Hoop-shaped earrings have ancient historical lineage—pinpointing the earliest known usage is difficult, but there are known examples from across the world. Over time, they have come to symbolize womanhood, pride, and empowerment. When they pass down through generations as heirloom objects, they uphold these associations while acquiring new layers of meaning.

Acosta has documented stories, images, and ideas from over 100 individuals countrywide. Her work addresses hoop earrings on multiple levels—as agents of personal choice and expression and as symbols of social and cultural dynamics. In addition to centering perspectives that have not often been shared, Acosta’s project addresses social and cultural representations of Black, Brown, Indigenous, Asian, and other individuals of the global majority. Within contemporary photography, she expands the dialogue of who gets to photograph what and why while also continuing a rich, if not always acknowledged, legacy of Latinx photographers.

Owing to the award of an Equity Innovation Fund grant from the United Way of Racine County, RAM is organizing three different exhibitions and multiple community outreach programs that feature Mexican American artists Nicole Acosta and René Amado. Both artists use their work to address cultural identity—often centering a multidisciplinary approach that highlights their perspectives as artists of color and offers a dynamic platform to examine and reframe personal, social, and cultural issues.

Programs such as these are vital as they spotlight significant voices of color. Acosta and Amado speak to their heritage while adding to the dynamism of the contemporary art landscape and offering perspectives that can potentially engage those not otherwise inclined to visit contemporary art museums. Additionally, these two regional artists reflect the strength of creativity in the area.

Sample of Work from Nicole Acosta’s The HOOPS Project

Click/tap an image for more information

Exhibitions at RAM are made possible by:

Platinum Sponsors

The Estate of Karen Johnson Boyd
David Charak
Judith and David Flegel Fund
Ron and Judith Isaacs
Racine Community Foundation logo
United Way Of Racine County logo
Windgate Foundation

Diamond Sponsors

Ruffo Family Foundation
Ruth Foundation for the Arts
Diane Zebell

Gold Sponsors

Anonymous
A.C. Buhler Family
Robert E. Kohler Jr. Fund
Osborne and Scekic Family Foundation
Reliance Controls
Trio Foundation of St. Louis
W.T. Walker Group, Inc.
Wisconsin Arts Board 50th Anniversary Logo

Silver Sponsors

Anonymous
Sandy and Gus Antonneau
Baird
Lucy G. Feller
Ben and Dawn Flegel
Sharon and Tom Harty
Dave and Judy Hecker
Paul Kalke
Horizon Retail Construction, Inc.
Johnson Financial Group
Lang Family Foundation
Dorothy MacVicar
Jan Serr & John Shannon
Sandra Shove
Willard and Mary Walker

Bronze Sponsors

Carol Baylon
Rose and Peter Christensen
Dave’s Wine Garage
Educators Credit Union
Patricia and Richard Ehlert
Express Employment Professionals
Deborah Ganaway
Carol Griseto
Hitter’s Baseball
SC Johnson
Bill and Debbie Keland
Nancy and Nick Kurten
Susan Manalli
Norbell Foundation
JoAnna Poehlmann
Rasmussen Diamonds
Harold and Lois Solberg
Kathy Stranghellini
Tito’s
Twin Disc
Janna Waldeck
Barbara Waldman

Media Sponsor

Radio Milwaukee logo

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