The largest exhibition to date dedicated to artists of color in RAM's collection, featuring works in clay, glass, and metal. The range of implicit and explicit biases experienced by the artists and the (un)conscious influence of their heritage add a unique layer of context to the included work.

Drawn entirely from RAM’s collection, this exhibition—and the one that replaces it in the fall—highlights artists that repurpose materials originally intended for a use other than art.

Comprised of pieces spanning multiple decades—specifically 1977 – 2006—the archive features various types of photographs. This exhibition debuts selections from the archive in stages—consecutively showcasing the Nagatani/Ryoichi Excavations Series, Chromatherapy Series, and works related to nuclear power.

In the late 1940s, contemporary glass production was given new energy as Frances and Michael Higgins reinvigorated the ancient practice of glass fusing. Racine Art Museum recently established an archive collection of 75 works created collaboratively and individually by the Higginses.

In Between showcases artists via multiple works made of different materials and/or pieces that reflect a fluency between two and three dimensions, including wearables.

This Windows on Fifth exhibition is a visual summary of the art and architecture that helped shape the early chapters of Racine Art Museum, blending objects from RAM's holdings with photographs of both the building designed by Brininstool + Lynch and the galleries filled with art.