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This exhibition—part of the RAM Showcase series—highlights the work of artists Russell T. Gordon and James Tanner, both of whom were educators with significant positions in their respective universities. While both of their works have been shown at RAM before, this exhibition is an opportunity to share more about the artists—reflecting a few moments of intersection between them.
The Racine Art Guild Juried Exhibitions are organized to demonstrate the creativity of the members of this group of practicing artists. Artworks selected for this show display an understanding of art techniques and presentation.
This exhibition spotlights glass as an art medium but, more importantly, in some ways, calls attention to the work of contemporary artists of color from RAM’s collection. While neither of these two threads are unique ones at RAM, this is the first exhibition dedicated to featuring only artists of color working with this material.
Cultural Reflections: RAM Community Art Show—developed in collaboration with the Black Arts Council of Racine—showcases work by 86 artists that used a wide variety of media to explore aspects of their culture, heritage, family traditions, or way of life. Through paintings, prints, collage, objects, and more, these artists share their inspirations, influences, and observations about the world connected to them.
The annual Racine Unified Student Art Exhibition at RAM's Wustum Museum features artwork created by area school children from grades K–12. Curated by the Unified School's art faculty, the exhibition demonstrates the excellence achieved by students and their teachers.
RAM presents the thirteenth edition of the popular exhibition showcasing art made from or inspired by adorably colorful PEEPS® Brand marshmallow candy. This year, more than 207 artists, families, and organizations from around the country created 162 pieces of PEEPS® art for the only museum competition of its kind in the world.
This exhibition at RAM features works made from a variety of materials that address the ambiguous connection between reality and imagination.
Precedents offers new contexts for understanding how motifs resurface regularly through generations, how much variety is possible within the dynamic of a certain material and relative size, and how artists might look at each other’s work for inspiration.
This exhibition, with works drawn from RAM’s collection, features contemporary interpretations of trompe l’oeil (fool or deceive the eye) technique.
This show—part of the new RAM Showcase series of exhibitions—highlights contemporary artists of color whose work addresses intellectual, philosophical, and spiritual concepts through abstraction.
In the Round showcases artwork that is best understood when contemplated from more than one angle—pieces whose stories and designs unfold as a viewer actively engages in exploring the whole thing.
The unifying theme of this exhibition is that the works presented are objects—sculptural, functional, or both—made by artists from diverse backgrounds, all residing within the United States. Subject matter varies—from material exploration to personal narrative to function. While this work is not directly issue-oriented, the fact that the makers themselves, as artists of color, have experienced a wide range of implicit and explicit biases is a subcontext worthy of consideration. Seen through that lens, the story these objects tell is even more complex.
Now in its 55th year, Watercolor Wisconsin was started in 1966 to honor the depth and breadth of watercolor in the State of Wisconsin. This year’s show features 110 works by 97 Wisconsin artists.
Soaring in front of the view of Lake Michigan, the illuminated conifer is adorned with over 1,500 glass ornaments from a variety of time periods and subjects—many from late Racine, Wisconsin gallerist and arts supporter Emile H. Mathis II’s collection. Visitors are encouraged to look for unique decorations like octopi and soup cans fashioned in glass alongside more traditional festive creations.
The Racine Art Museum Store invited artists of all ages to participate in the museum’s annual competition for handmade holiday ornaments, wrapped boxes, and decorated trees. This year's show features 49 festive pieces by 43 regional artists.
Sponsored by a grant from the Osborne and Scekic Family Foundation, the RAM Artist Fellowship Program aims to showcase the diversity and vitality of the Racine/Kenosha visual arts. The fifth biennial exhibition features the work of Martha Coaty, Nate Hunter, Christopher Johns, Marc Travanti, and René Amado.
This exhibition debuts a recent acquisition of 31 pieces by the contemporary American ceramic artist Mara Superior.
The artworks included in this exhibition are either playful or thought-provoking, and sometimes both—seeming lighthearted at first but ultimately speaking to deeper, more complex issues.
This exhibition, comprised of works from RAM’s collection, reveals the expansive potential of beads for structure as well as decoration in contemporary art jewelry and small-scale objects.
Racine Art Museum and RAM’s Wustum Museum invited artists to take part in the second RAM Virtual Community Art Show. In response, 59 artists from across the world submitted 58 works that touch upon the idea of organic invasion and intrusion.
